{"product_id":"sony-a6100-con-16-50mm-ii-e-18-105mm-f4-g-oss","title":"Sony A6100 con 16-50mm II e 18-105mm F4 G OSS - GARANZIA 2+1 SONY + 2 BATTERIE + SCHEDA + BORSA IN OMAGGIO FINO A LUNEDI 12\/10\/26","description":"\u003ch1\u003e\u003cspan\u003eSony A6100 con 16-50mm II e 18-105mm F4 G OSS: recensione completa\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eLa \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSony A6100\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e è una mirrorless APS-C compatta e versatile, pensata per chi cerca una fotocamera leggera ma capace di offrire prestazioni elevate sia nella fotografia sia nei video. Abbinata al nuovo \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSony E PZ 16-50mm F3.5-5.6 OSS II\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e e al \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSony E 18-105mm F4 G OSS\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, diventa un sistema particolarmente interessante per chi vuole coprire diverse situazioni fotografiche con due obiettivi complementari.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl primo zoom è ideale per chi desidera una soluzione compatta e facilmente trasportabile, mentre il 18-105mm F4 G OSS offre una maggiore escursione focale e un'apertura costante, caratteristiche che lo rendono particolarmente interessante per reportage, viaggi, ritratti, eventi e video.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn questo articolo analizziamo nel dettaglio la \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSony A6100 con 16-50mm II e 18-105mm F4 G OSS\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, le sue caratteristiche, i punti di forza, i limiti e le situazioni in cui conviene utilizzare ciascun obiettivo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch2\u003e\u003cspan\u003eSony A6100: caratteristiche principali\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eLa \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSony A6100\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e utilizza un sensore CMOS APS-C da circa 24,2 megapixel, abbinato al processore BIONZ X. La fotocamera offre un sistema autofocus molto evoluto per la sua categoria, con un rilevamento del soggetto rapido e preciso.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTra le caratteristiche più interessanti troviamo:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003esensore APS-C da circa 24,2 MP;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003esistema autofocus con 425 punti a rilevamento di fase;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eautofocus continuo per foto e video;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eReal-time Tracking;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eReal-time Eye AF;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eraffica fino a 11 fotogrammi al secondo;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eregistrazione video 4K;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003edisplay LCD orientabile;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003emirino elettronico;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eWi-Fi e Bluetooth;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003ecorpo compatto e relativamente leggero;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003einnesto Sony E.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eLa A6100 rappresenta quindi una soluzione molto equilibrata per fotografia di viaggio, street photography, ritratto, fotografia familiare, contenuti social e video.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003eSony A6100 con 16-50mm II\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eIl \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSony E PZ 16-50mm F3.5-5.6 OSS II\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e è uno degli obiettivi più interessanti per chi vuole mantenere il sistema A6100 estremamente compatto.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa focale equivalente sul formato full frame è circa \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e24-75mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, un intervallo particolarmente versatile per l'utilizzo quotidiano.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA 16mm l'obiettivo è adatto a:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003epaesaggi;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003earchitettura;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003einterni;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003estreet photography;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eviaggi;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003efotografia di gruppo.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eArrivando a 50mm, invece, permette di realizzare ritratti ambientati e fotografie con una prospettiva più naturale.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003ePerché scegliere il 16-50mm II?\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eIl principale vantaggio del 16-50mm II è la compattezza.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMontato sulla Sony A6100, permette di ottenere un kit fotografico molto piccolo e facile da trasportare. È quindi particolarmente indicato per chi viaggia spesso o vuole una fotocamera da utilizzare tutti i giorni.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa presenza dello \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003estabilizzatore ottico OSS\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e contribuisce inoltre a migliorare la possibilità di scattare a mano libera in condizioni di luce non ottimali.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003eSony 18-105mm F4 G OSS\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eIl \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSony E 18-105mm F4 G OSS\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e appartiene alla serie G di Sony ed è un obiettivo decisamente più ambizioso rispetto al piccolo 16-50mm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSu una fotocamera APS-C come la A6100 offre un angolo di campo equivalente a circa \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e27-157,5mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e nel formato full frame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuesta escursione focale è estremamente interessante.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA 18mm abbiamo una focale adatta al reportage e alla fotografia di viaggio, mentre a 105mm è possibile avvicinare notevolmente soggetti distanti.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch2\u003e\u003cspan\u003eApertura costante F4\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eUno dei principali vantaggi del 18-105mm è l'apertura \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eF4 costante\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA differenza del 16-50mm, che varia da F3.5 a F5.6, il 18-105mm mantiene F4 lungo tutta la sua escursione focale.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuesto è particolarmente utile quando si lavora in modalità manuale o durante le riprese video, perché non si verifica una variazione dell'apertura massima passando da una focale all'altra.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eL'F4 non è luminosissimo come un obiettivo F2.8, ma rappresenta un buon compromesso tra luminosità, dimensioni, peso e versatilità.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003e16-50mm II contro 18-105mm F4 G OSS\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eI due obiettivi hanno caratteristiche molto diverse e, proprio per questo, possono essere considerati complementari.\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003e\u003cspan\u003eCaratteristica\u003c\/span\u003e\u003c\/th\u003e\n\u003cth\u003e\u003cspan\u003e16-50mm II\u003c\/span\u003e\u003c\/th\u003e\n\u003cth\u003e\u003cspan\u003e18-105mm F4 G OSS\u003c\/span\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eFormato\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAPS-C\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eAPS-C\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eEscursione focale\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e16-50mm\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e18-105mm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eEquivalente FF\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e24-75mm circa\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e27-157,5mm circa\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eApertura\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eF3.5-5.6\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eF4 costante\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eStabilizzazione\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eOSS\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eOSS\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eDimensioni\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eMolto compatto\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003ePiù grande\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003ePeso\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eMolto contenuto\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eMaggiore\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eUtilizzo ideale\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eViaggio e quotidiano\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eReportage, eventi e video\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eVersatilità\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eElevata\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eMolto elevata\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cspan\u003eLa scelta dipende soprattutto dalle proprie esigenze.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSe la priorità è avere una fotocamera piccola e leggera, il \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e16-50mm II\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e è la scelta più pratica.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSe invece si cerca un obiettivo tuttofare più completo, il \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e18-105mm F4 G OSS\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e offre una gamma focale nettamente più ampia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003eSony A6100 con 16-50mm II: per chi è consigliata?\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eLa combinazione A6100 + 16-50mm II è particolarmente indicata per chi cerca un sistema fotografico da portare sempre con sé.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eÈ una soluzione interessante per:\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eFotografia di viaggio\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLe dimensioni contenute permettono di portare la fotocamera nello zaino o in una piccola borsa senza occupare troppo spazio.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eStreet photography\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLa focale equivalente di 24-75mm permette di affrontare buona parte delle situazioni tipiche della fotografia urbana.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eFotografia quotidiana\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003ePer fotografie di famiglia, vacanze, passeggiate e documentazione quotidiana il 16-50mm rappresenta una soluzione molto pratica.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eVideo\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLa presenza del Power Zoom rende l'obiettivo interessante anche per chi registra video e vlog.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003eSony A6100 con 18-105mm F4 G OSS: per chi è consigliata?\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eLa combinazione con il 18-105mm cambia completamente filosofia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eL'obiettivo è più grande, ma offre una versatilità superiore.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eÈ particolarmente indicato per:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003ereportage;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eeventi;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003efotografia di viaggio;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eritratti;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003efotografia sportiva occasionale;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003evideo;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003efotografia naturalistica non specialistica;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003edocumentazione;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003econtenuti YouTube.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eLa focale equivalente fino a circa 157,5mm consente infatti di ottenere un'inquadratura molto più stretta rispetto al 16-50mm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003eAutofocus della Sony A6100\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eUno dei punti di forza della A6100 è sicuramente il sistema autofocus.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa fotocamera dispone di un sistema AF particolarmente efficace nel riconoscimento e nell'inseguimento dei soggetti.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eReal-time Tracking\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e permette di mantenere il soggetto sotto controllo anche quando si muove all'interno dell'inquadratura.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eL'\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEye AF\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e è inoltre molto utile per i ritratti e per la fotografia di persone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQueste caratteristiche rendono la A6100 interessante anche per chi fotografa:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003ebambini;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eanimali;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003esport;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eeventi;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003epersone in movimento;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003escene dinamiche.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003eSony A6100 per la fotografia di viaggio\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003ePer i viaggi, la scelta tra i due obiettivi dipende dal tipo di fotografia che si vuole realizzare.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e16-50mm II\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e è ideale quando peso e dimensioni sono prioritari.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e18-105mm F4 G OSS\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, invece, è preferibile quando si vuole partire con un solo obiettivo e avere una maggiore capacità di avvicinare i soggetti.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCon il 18-105mm è possibile passare rapidamente da una scena panoramica a un'inquadratura più stretta senza cambiare obiettivo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuesto può essere particolarmente utile durante visite turistiche, escursioni e reportage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003eSony A6100 per video\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eLa A6100 è anche una fotocamera interessante per la produzione video.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl 18-105mm F4 G OSS è particolarmente adatto a questo utilizzo grazie alla sua apertura costante e alla presenza della stabilizzazione ottica.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl 16-50mm II, invece, ha il vantaggio delle dimensioni ridotte e del Power Zoom.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePer vlog e contenuti in movimento, un sistema compatto può risultare più pratico.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePer produzioni più strutturate, il 18-105mm offre invece una maggiore flessibilità.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003eQualità d'immagine\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eIl sensore APS-C da circa 24 megapixel della Sony A6100 offre una buona qualità d'immagine e un livello di dettaglio adeguato per la maggior parte degli utilizzi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn condizioni di buona luce, entrambi gli obiettivi possono fornire risultati molto validi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl 18-105mm F4 G OSS offre però un'impostazione più orientata all'utilizzo professionale e al lavoro quotidiano grazie alla maggiore escursione focale e all'apertura costante.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl 16-50mm II punta invece soprattutto sulla praticità.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003eStabilizzazione OSS\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eEntrambi gli obiettivi sono dotati di stabilizzazione ottica \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eOSS\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa stabilizzazione è utile soprattutto quando si fotografa a mano libera con tempi relativamente lenti.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eÈ importante però ricordare che la stabilizzazione riduce principalmente il rischio di mosso causato dal movimento del fotografo. Non congela il movimento di un soggetto.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePer fotografare persone, animali o sport in movimento sarà quindi necessario utilizzare tempi di scatto adeguatamente rapidi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003eQuale obiettivo scegliere?\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eLa scelta può essere riassunta molto semplicemente.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eScegli il Sony 16-50mm II se:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003evuoi un kit molto compatto;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eviaggi spesso;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003evuoi una fotocamera da portare sempre con te;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003efai street photography;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003erealizzi vlog;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003edai grande importanza a peso e dimensioni;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003efotografi prevalentemente soggetti relativamente vicini.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eScegli il Sony 18-105mm F4 G OSS se:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003evuoi maggiore versatilità;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003efotografi eventi;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003efai reportage;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003evuoi una focale tele più lunga;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003erealizzi video;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003evuoi un solo obiettivo per molte situazioni;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003efotografi soggetti a distanza;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003epreferisci un'apertura F4 costante.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003eA6100 con entrambi gli obiettivi: il kit completo\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003ePossedere entrambi gli obiettivi può essere una soluzione ancora più interessante.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl 16-50mm II può essere utilizzato come obiettivo compatto da tutti i giorni, mentre il 18-105mm F4 G OSS può essere utilizzato quando servono maggiore portata e flessibilità.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn questo modo è possibile scegliere l'obiettivo in base alla situazione.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePer esempio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePasseggiata in città → 16-50mm II\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eViaggio → 16-50mm II\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eStreet photography → 16-50mm II\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEvento → 18-105mm F4 G OSS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReportage → 18-105mm F4 G OSS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eVideo → entrambi, a seconda delle esigenze\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRitratto → 18-105mm F4 G OSS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003eVantaggi della Sony A6100\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eI principali punti di forza della A6100 sono:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003esensore APS-C da circa 24 MP;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eautofocus molto efficace;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eEye AF;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eReal-time Tracking;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003ecorpo compatto;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003ebuona qualità fotografica;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003evideo 4K;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eampia disponibilità di obiettivi Sony E;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eottima versatilità;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003epeso contenuto rispetto a molte reflex e mirrorless di fascia superiore.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003eSvantaggi della Sony A6100\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eCome ogni fotocamera, anche la A6100 presenta alcuni compromessi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTra i principali possiamo citare:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003ecorpo molto compatto che può risultare piccolo con obiettivi grandi;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eassenza di stabilizzazione direttamente sul sensore;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003emirino elettronico relativamente semplice rispetto ai modelli Sony superiori;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eergonomia meno adatta a obiettivi pesanti;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eil 16-50mm II privilegia la compattezza rispetto alla luminosità.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eCon il 18-105mm, in particolare, la macchina diventa meno compatta e il bilanciamento cambia rispetto al piccolo zoom 16-50mm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003eSony A6100: vale ancora la pena?\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eLa Sony A6100 rimane una soluzione interessante per chi vuole entrare nel sistema Sony APS-C o cerca una mirrorless compatta con un autofocus affidabile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa possibilità di abbinarla a obiettivi differenti permette di costruire un sistema fotografico progressivamente più completo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e16-50mm II\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e è perfetto per mantenere il kit leggero e discreto, mentre il \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e18-105mm F4 G OSS\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e permette di sfruttare maggiormente la versatilità del sensore APS-C.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa combinazione dei due obiettivi permette quindi di coprire una gamma molto ampia di situazioni fotografiche.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch1\u003e\u003cspan\u003eConclusioni\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eLa \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSony A6100 con Sony 16-50mm II e Sony 18-105mm F4 G OSS\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e rappresenta un sistema APS-C estremamente versatile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl 16-50mm II è la scelta ideale per chi cerca \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eleggerezza, compattezza e praticità\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, mentre il 18-105mm F4 G OSS è più adatto a chi vuole \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emaggiore escursione focale, apertura costante e una soluzione tuttofare più completa\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePer chi utilizza la A6100 soprattutto durante viaggi, passeggiate e fotografia quotidiana, il 16-50mm II è probabilmente l'obiettivo più comodo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePer reportage, eventi, video e situazioni in cui serve raggiungere soggetti più lontani, il 18-105mm F4 G OSS offre invece un vantaggio significativo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa possibilità di utilizzare entrambi gli obiettivi rende la Sony A6100 un sistema particolarmente flessibile, capace di adattarsi a esigenze fotografiche molto diverse.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch2\u003e\u003cspan\u003eFAQ – Sony A6100 con 16-50mm II e 18-105mm F4 G OSS\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan\u003eLa Sony A6100 è una full frame?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eNo. La Sony A6100 utilizza un sensore \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAPS-C\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIl Sony 18-105mm F4 G OSS è compatibile con la A6100?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eSì. Il Sony 18-105mm F4 G OSS utilizza l'innesto Sony E ed è compatibile con la Sony A6100.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIl 18-105mm è migliore del 16-50mm II?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eNon necessariamente. Sono obiettivi progettati con priorità differenti. Il 16-50mm II è più compatto e leggero, mentre il 18-105mm offre una maggiore escursione focale e apertura F4 costante.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eQual è l'equivalente full frame del 18-105mm?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eSu APS-C Sony, il 18-105mm offre un angolo di campo equivalente a circa \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e27-157,5mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e su full frame.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eQual è l'equivalente del 16-50mm?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eIl 16-50mm su APS-C Sony corrisponde a circa \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e24-75mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e nel formato full frame.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eLa Sony A6100 è adatta ai video?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eSì. La A6100 offre registrazione video 4K e può essere utilizzata sia con il 16-50mm II sia con il 18-105mm F4 G OSS.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eQuale obiettivo è migliore per i viaggi?\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eSe la priorità è il peso, il \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e16-50mm II\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e è la scelta più pratica. Se invece si vuole maggiore versatilità senza cambiare obiettivo, il \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e18-105mm F4 G OSS\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e è più completo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch2\u003e\u003cspan\u003eParole chiave SEO\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKeyword principale:\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSony A6100 16-50mm II 18-105mm F4 G OSS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKeyword secondarie:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSony A6100\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSony A6100 recensione\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSony A6100 16-50mm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSony A6100 18-105mm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSony 16-50mm II\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSony 18-105mm F4 G OSS\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSony A6100 obiettivi\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSony A6100 APS-C\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSony A6100 video\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSony A6100 fotografia\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSony A6100 viaggio\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSony A6100 autofocus\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eobiettivo Sony 18-105 F4\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSony 16-50mm II recensione\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSony A6100 kit\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003chr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"De Cesare SRL ","offers":[{"title":"Default Title","offer_id":61106058658126,"sku":null,"price":1099.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/7681\/8510\/files\/sony-a6100-16-50-f35-56-oss.jpg?v=1791388616","url":"https:\/\/www.fotododici.com\/products\/sony-a6100-con-16-50mm-ii-e-18-105mm-f4-g-oss","provider":"De Cesare SRL ","version":"1.0","type":"link"}